About me Professional Career
Professional Wardrobe Design, Styling and MuAH for Film, TV and Advertising
Filosofía Visual
Más allá de la estética: Psicología del personaje
Narrativa Textil
El vestuario no disfraza, revela. Traduzco el guion a texturas y colores que definen el arco del personaje sin necesidad de palabras.
Realismo y Detalle
Especialización en envejecimiento de tejidos y ambientación. La ropa debe parecer vivida, no sacada de una percha.
Eficiencia en Set
Gestión rigurosa de raccord, presupuestos y tiempos. La creatividad nunca debe entorpecer el plan de rodaje.
Mi Trayectoria
Un viaje de crecimiento y dedicación en el mundo audiovisual
Inicio en el Vestuario Audiovisual
I begin my professional career in the audiovisual and cinematographic sector, applying my skills in hairdressing, makeup, and wardrobe. I have participated in various projects contributing my comprehensive vision of image, working to ensure that the aesthetics of each character complement the production's narrative.
Nominación en Festival de Sitges
El cortometraje «Encerrados» es nominado en el Festival de Sitges 2018 dentro de la categoría Nueva Autoría SGAE.
Largometraje «El cerro de los dioses»
Participación en el largometraje nominado a los premios Gaudí XIII, actualmente disponible en Prime Video.
«Solo hay una»
Este proyecto recibe múltiples nominaciones y reconocimientos a nivel internacional, destacando su impacto en el circuito audiovisual.
«Takbir»
Cortometraje reconocido con más de 81 premios internacionales, incluyendo una nominación a los GOYA 2024. El departamento de vestuario es premiado en tres ocasiones.
Skills Técnicas
Wardrobe Design
Wardrobe Designer
Makeup Artist (MuAH)
Hairdresser/Stylist
Fashion Stylist
Cinematography
Advertising
Formación
Base académica de una carrera multidisciplinar
Master in Wardrobe Design: Theater, Film and Opera
IED University Barcelona
Higher EducationHigher Degree in Characterization and Professional Makeup
Thuya Academy Barcelona
Technical EducationReferencias
Preguntas Frecuentes
Lo que los directores y productores suelen preguntarme
Why have I decided to unify Wardrobe Design and MuAH in my methodology?
Because I understand that time is the most expensive asset on a set. By centralizing the integral image, I eliminate communication failures between departments and optimize the workflow, ensuring that talent reaches the camera on time and with 100% coherent aesthetics.
How do I prevent wardrobe unforeseen events from delaying your shooting schedule?
My focus is not just creative, it's logistical. I refine each pre-production process to anticipate continuity problems or technical adjustments before they become an unnecessary cost on set.
What do I look for when I analyze the visual narrative of a project?
I don't look for characters to 'look good'; I look for their image to speak. I analyze color psychology and textures so that wardrobe and makeup provide layers of information that the camera cannot capture in any other way.
How do I guarantee that my work enhances the direction of photography?
I work hand in hand with the director of photography to optimize chromatic palettes. I refine materials and makeup finishes so that light reacts exactly as planned, avoiding unnecessary touch-ups in post-production.
What sets me apart when working for major brands or fiction productions?
Technical precision. In advertising, I know that every frame counts and the image must be impeccable. In fiction, my priority is narrative truth. In both worlds, my goal is to eliminate the superfluous so that only visual excellence remains.
Disponible para largometrajes, series y publicidad